Daily fretboard challenges by Fretuoso®

A natural minor on Bass

Also called: Aeolian Mode

A natural minor contains A, B, C, D, E, F and G. It shares C major’s natural notes but centers on A. The extra second and sixth distinguish it from A minor pentatonic and create more melodic connections.

Scale on staff

Bass clef · Root to octave

Written notes: A2, B2, C3, D3, E3, F3, G3, and A3

Swipe across the staff to see every note.

Notation details

A natural minor signature: no sharps or flats. Other alterations are marked on the notes.

The 8 below the clef indicates that Bass sounds one octave below these written notes. This example uses an octave close to the staff for easier reading, keeping the scale’s key and canonical spelling.

Find and hear notes

Flats and sharps can name the same pitch. Staff notes keep their canonical spelling.

Scale root: A. Square markers identify it across the neck.

Tap a note to hear it. Scroll along the neck to explore frets.

Keyboard controls

Keyboard: use arrow keys to move between notes, then Enter or Space to play.

Understand the scale

Natural minor is built from a root, major second, minor third, perfect fourth, perfect fifth, minor sixth and minor seventh. Its seven-note collection is also called Aeolian; returning to the root establishes the minor sound.

Each note has an interval measured from the root. The graph spaces notes by semitones (one fret each); the numbers between markers show the steps to neighboring notes. The final note is the root one octave higher.

Scale intervals from A to its octave

Semitones from the root. Steps between neighboring notes (semitones).

A — Root (unison); 0 semitones from the root. Next step: 2 semitones B — Major second; 2 semitones from the root. Next step: 1 semitone C — Minor third; 3 semitones from the root. Next step: 2 semitones D — Perfect fourth; 5 semitones from the root. Next step: 2 semitones E — Perfect fifth; 7 semitones from the root. Next step: 1 semitone F — Minor sixth; 8 semitones from the root. Next step: 2 semitones G — Minor seventh; 10 semitones from the root. Next step: 2 semitones A — Octave (root); 12 semitones from the root. A — Root (unison); 0 semitones from the root. Next step: 2 semitonesA1B — Major second; 2 semitones from the root. Next step: 1 semitoneB2C — Minor third; 3 semitones from the root. Next step: 2 semitonesC♭3D — Perfect fourth; 5 semitones from the root. Next step: 2 semitonesD4E — Perfect fifth; 7 semitones from the root. Next step: 1 semitoneE5F — Minor sixth; 8 semitones from the root. Next step: 2 semitonesF♭6G — Minor seventh; 10 semitones from the root. Next step: 2 semitonesG♭7A — Octave (root); 12 semitones from the root. A8A — Root (unison); 0 semitones from the root. Next step: 2 semitones B — Major second; 2 semitones from the root. Next step: 1 semitone C — Minor third; 3 semitones from the root. Next step: 2 semitones D — Perfect fourth; 5 semitones from the root. Next step: 2 semitones E — Perfect fifth; 7 semitones from the root. Next step: 1 semitone F — Minor sixth; 8 semitones from the root. Next step: 2 semitones G — Minor seventh; 10 semitones from the root. Next step: 2 semitones A — Octave (root); 12 semitones from the root. A — Root (unison); 0 semitones from the root. Next step: 2 semitonesA1B — Major second; 2 semitones from the root. Next step: 1 semitoneB2C — Minor third; 3 semitones from the root. Next step: 2 semitonesC♭3D — Perfect fourth; 5 semitones from the root. Next step: 2 semitonesD4E — Perfect fifth; 7 semitones from the root. Next step: 1 semitoneE5F — Minor sixth; 8 semitones from the root. Next step: 2 semitonesF♭6G — Minor seventh; 10 semitones from the root. Next step: 2 semitonesG♭7A — Octave (root); 12 semitones from the root. A8
Read the intervals
  1. A — Root (unison); 0 semitones from the root. Next step: 2 semitones
  2. B — Major second; 2 semitones from the root. Next step: 1 semitone
  3. C — Minor third; 3 semitones from the root. Next step: 2 semitones
  4. D — Perfect fourth; 5 semitones from the root. Next step: 2 semitones
  5. E — Perfect fifth; 7 semitones from the root. Next step: 1 semitone
  6. F — Minor sixth; 8 semitones from the root. Next step: 2 semitones
  7. G — Minor seventh; 10 semitones from the root. Next step: 2 semitones
  8. A — Octave (root); 12 semitones from the root.

How the fretboard repeats

Fret 12 has the same note name as the open string, one octave higher. The pattern repeats every 12 frets. Between E and F, and between B and C, there is one semitone; the other adjacent natural notes are two semitones apart.

Every neighboring pair of strings is a perfect fourth apart. Fret 5 on one string matches the next open string above it. This consistent tuning lets you move patterns across the neck without the guitar’s G-to-B adjustment.

Try this

  • Compare A–C with A–B–C on the A string, then E–G with E–F–G on the D string.
  • The added passing notes fill the gaps.
  • Finish each phrase on A so the shared notes sound minor rather than centered on C.

Put the notes into practice

Today’s Fretuodle uses the shared theme, which may differ from this reference. Your practice here does not affect Fretuodle results.

Play today’s Bass challenge

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